We’re coming through the night like a cat to bring you an episode about one of Kate’s most mysterious songs, the beautiful French-language original Ne t’enfuis pas, which means “don’t flee.” (often translated as “don’t fly away.”)
Cecilee gets to bring out her inner French nerd with this song as she discusses Ne t’enfuis pas with Dani Llamas, who you will remember from the episodes on Kidnapped on a Building Site and There Goes a Tenner. Enthusiasm abounds in this episode, since this is a top ten favorite for both of these Kate fans! Cecilee talks about the lyrics and how they translate to English, even commenting on Kate’s accent in French. There’s also much discussion and speculation of how this song probably came to be.
And wait, Kate Bush and Star Wars are related through this song?
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Welcome to the first of only a few episodes of the b-sides/collabs part of The Dreaming season. This week, we’re discussing a song that Kate didn’t write, so this marks the first officially released cover song in Kate’s repertoire!
The famous 1960s folk singer Donovan (known for hits like Sunshine Superman, Catch the Wind, and Mellow Yellow) wrote Lord of the Reedy River for his album H.M.S. Donovan, released in 1971, an album that Kate cited as an absolute favorite. Only a few years before Donovan’s released version, the Welsh singer Mary Hopkin got a hold of it and released her version for her debut album Post Card. Then, more than a decade later, along came our Kate to put her own take on this rather mournful folk song, using a disused swimming pool at Townhouse Studios and a brand new expensive toy: the Fairlight CMI.
To discuss this song this week, we have Frezno from Newfoundland, a younger fan of Kate who loves this song for its strange qualities. We get to talk about the production of this song, how Kate changed the pronouns in the song to make it more personal and put it from a feminine point of view, how Kate came to choose this song to record, and…. wait, the single for Sat in Your Lap had THIS on the b-side? Talk about a whiplash of moods!
Unlike Kate in this song, we will let you in to show you all about the clattering and downright scary Get Out of My House, the last album track on The Dreaming. And what a closer this is! If you thought Breathing from the last album was epic, this one is even more so!
To discuss this song, we have two super fans: Richard Campbell from Toronto, Canada, a fan who was last on the show to talk about In Search of Peter Pan. Rick talks about his history with this song and what it was like to listen to The Dreaming when it was first released in the 80s and how forward-thinking Kate was in her production techniques in this song. Rick also discusses how much this song reminds him of the 60s movie The Haunting.
Super fan number two is Zoey P, for whom this song is an absolute favorite. Zoey digs into the theme and lyrics of this song and how it relates to a woman’s experience of feeling invaded and violated, and how it ties into Kate’s own experiences as a very public figure who “had to prove [she] was an artist in a woman’s body.”
It’s an epic episode about an epic love story: Bess and Harry Houdini! Our song this week is Houdini, the ninth track from The Dreaming and what a song it is! There’s Broadway singing, there’s light, pure vocals, and of course, the famous screams in the chorus! And mystery! Can’t forget the mystery either (don’t let it go now!)
We have two big fans on the show this week: Zoey P and Luke McQuillan, who was on the show back in season one to discuss Wuthering Heights. With Zoey, we get to talk about the feminist implications of Kate writing a song from Houdini’s wife’s point of view rather than Houdini himself, the symbolism of keys, and our favorite lyrical and vocal moments. With Luke, we talk about how strange the music is (that chord progression!) and dissect how he came up with his own piano/vocal version of Houdini by ear!
This week’s song title may have the word “love” in it, but there doesn’t seem to be much love for this song. No discussion of it either on gaffa.org or….. much of anywhere!
Time to fix that!
Zoey P has joined us again for an extensive discussion of the album track All The Love, the eighth track from The Dreaming. This week, we’re talking about the theme of the song and how strangely relevant is it to our modern times (communication and letting people know how we really feel about them), the spooky song production, as well as trying to figure out who is who in the answering machine messages at the end of the song!
So let’s show this underrated gem a little love and dig into the song a bit. Maybe you’ll come away loving this song too! 🙂
Come with us on a hired plane, with no names mentioned, for a fun ride through the seventh track on The Dreaming, the Irish-tinged/power ballad hybrid Night of the Swallow. In one of our most enthusiastic episodes yet, we have our good friend of the show, Zoey P, for whom this is her ABSOLUTE FAVORITE Kate Bush song. And for Cecilee, this is her overall favorite on The Dreaming!
So, with two huge fans of this song, get ready for a very enthusiastic episode! We get to talk about the narrative structure of the song (a dialogue!!), its release as a single (but only in Ireland!), the instrumentation (uilleann pipes!), our favorite lyrical moments, and more!
Time to flip the record over and start the second side of The Dreaming! On now to the title track, a dark and mysterious song with dense production and even more dense discussion of the song’s themes.
To dissect this week’s song, three guests have joined the show. We have input from Tomer Feiner, a Kate fan from Israel. We also get to hear from Liza Behrendt, a longtime Kate fan from Boston, Massachusetts.
And most importantly, our third guest lives in Brisbane, Australia. A few months ago, a good friend of the show, Christine Kelley, reached out to a friend who was more familiar with Aboriginal culture in hopes of finding someone to discuss The Dreaming on the show. So we will get to hear from Lizzie Orley, a Gamilaroi woman who works for a Brisbane-based Aboriginal and Torres Strait Islander community radio station called 98.9FM. When asked about Kate’s song, she had MUCH to say!
We can tell you what we’re letting in: a new episode of Strange Phenomena! This week, we’re talking about track five on The Dreaming, the strange and compelling Leave It Open. Christine Kelley, the author of Dreams of Orgonon, the Kate Bush blog, joins us for a discussion of this song this week. Listen as we discuss about the lyrics (at least, what we can decipher of them!), the theme of the song, and Cecilee gets to nerd about the music production too (SO. MANY. VOCAL. EFFECTS!). We’ll also get to hear some thoughts from fellow Kate fan, Daniel Thomas, who we got to talk with earlier this season for Pull Out The Pin.
Can you believe we’re almost done with the first side of The Dreaming? This week, we’re talking about a song that was released as a single in continental Europe, the lively but thoughtful Suspended in Gaffa. To discuss one of the more lively and, admittedly, more accessible tracks on an otherwise very experimental album, we have a longtime Kate fan named Emery Bonannella on the line from California! This week, we’re talking about the rapid-fire lyrics, the instrumentation, the video, the rather varied TV performances to promote the song (marionettes! French tennis stars!), and our own histories and personal thoughts on Suspended in Gaffa.
On to the third track from The Dreaming, the dense, jungle-scented Pull Out the Pin. An album track that stands out for its atmosphere and percussion, Pull Out the Pin continues in the vein of Kate songs that are told from a character’s point of view. This time, we as the listeners are transported to a thick, humid jungle in Southeast Asia in the middle of the Vietnam War as Kate tells us a story about a Vietnamese soldier stalking his prey: an American soldier.
To discuss this song, we have Daniel Thomas from Seattle, Washington on the line. We discuss our personal thoughts on the song and how it was a song that initially scared both of us, but which we’ve both grown to love. We also talk about the theme of the song and its implications, the inspiration behind the song, and speculate what a live version might look or sound like.