Come fly with us as we search for Peter Pan. Three different fans from all over the world have taken part in this episode to talk about why they love In Search of Peter Pan, this week’s song: Rebecca Kormind, a long-time fan from Denmark; Rick Campbell, an actor from Toronto, Canada; and Wayne Henderson, a fellow podcaster from southern California. Each of these fans have personal connections and insights to this overlooked song, which features the first of several references to British culture on Lionheart.
Listen as we talk about our personal feelings on this song, the story of the character of Peter Pan, the intriguing musical changes in the song, and thoughts on the only live performance of this song, which was done during Kate’s Tour of Life in 1979, and which has never been officially released.
Song clips used:
In Search of Peter Pan, live at the Manchester Apollo, 1979
Interview clips used:
Björk on The First Time With…., Series 3 Episode 2, December 2, 2017
Get ready to spend a lot of your time looking at blue as you listen to the first song episode of the Lionheart season! This week’s song is Symphony in Blue, the first track from Kate’s second album Lionheart, a rather jazzy sounding opening track that gives a great tone to the rest of the album.
We’ll get to talk with not one but THREE fans of the song for this episode! Daniel Thomas, calling in from Seattle, offers his thoughts and personal connection with this track. We’ll also get to hear from Bishakh Som, a fellow American fan from Brooklyn, New York, who has some wonderful insights and connections to this song. We’ll also get to hear from Danny McEvoy, a Kate fan from England who got to see Kate’s tour in 1979 and who also loves this song.
We’ll also dive into the history of this song, such as the Erik Satie piano piece that directly inspired Symphony in Blue, as well as extensively discussing the beautiful lyrics and the music and its realization on the Tour of Life and the Kate Bush Christmas Special!
Song clips used:
Symphony in Blue, live at the Manchester Apollo, 1979
Symphony in Blue, Kate Bush Christmas Special, 1979
Erik Satie – Gymnopédies No. 1
Welcome to a special Album Introduction episode! Before we start Season 2 of the show, we’re going to start with an Introduction episode where we get to talk about the history of the album to come and general personal thoughts on it. We’ll also talk about where this album fits into Kate Bush’s canon and what to expect from the themes we’ll be discussing in each episode!
Lionheart was released on November 12, 1978, not even nine months after Kate put out her debut album The Kick Inside. In the years since its release, Lionheart, Kate Bush’s second full-length album, has become a rather maligned album. Lionheart is not discussed much, if at all, and tends to rank low on fan lists of favorite Kate Bush albums. If Lionheart is ever discussed, it’s usually dismissed as “rushed” and/or “a pale copy of The Kick Inside.” Though she spoke well of it at the time, Kate Bush herself later said that: “Considering how quickly we made it it’s a bloody good album, but I’m not really happy with it”.
In this episode, Cecilee gets to talk with a special guest: Zoey P, a fellow Kate Bush fanatic who has a lot to say about Lionheart. Lionheart is one of Zoey’s favorite Kate Bush albums, so she will be sharing her thoughts on the album as well as some of the recording history of Lionheart and how this album fits in Kate’s body of work. Zoey will also talk about the ways in which Kate slips into many different personas from one song to the next, from a gay man trying to make it in show business (Wow) to a World War II pilot plummeting to his death (Oh England My Lionheart) to a little boy trying to make sense of the world (In Search of Peter Pan).
Cecilee, a fan who also likes Lionheart and thinks it’s rather unjustly maligned, will also talk about what this album means to her and her opinions of this album. She will also dig into the history of Lionheart and how it was recorded in the south of France (the only Kate album to be recorded outside the UK).